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Mario Caroli va comen\u00e7ar la seva formaci\u00f3 musical als 14 anys i va obtenir el seu diploma de solista als 19 anys. Va estudiar amb Annamaria Morini a Bolonya i Manuela Wiesler a Viena. Despr\u00e9s, a l’edat de 22 anys, va guanyar el cobejat Premi Internacional Kranichsteiner a Darmstadt i va comen\u00e7ar una carrera molt reeixida com a flautista solista. La seva activitat comen\u00e7a, subseg\u00fcent al Premi de Darmstadt, com un patrocinador de la m\u00fasica contempor\u00e0nia: la seva fama va cr\u00e9ixer r\u00e0pidament i es va convertir en l’int\u00e8rpret preferit de molts dels grans compositors vius. Salvatore Sciarrino, Gy\u00f6rgy Kurtag, Do\u00efna Rotaru, Toshio Hosokawa, Ivan Fedele, Olga Neuwirth, Philippe Hurel, Wolfgang Rihm i molts altres van escriure per a ell belles obres per a flauta sola, aix\u00ed com nous concerts per a la flauta, que contribueixen a ampliar la literatura de l\u2019instrument. Anys m\u00e9s tard, la seva carrera va retornar a tot el repertori, sense distinci\u00f3 d’estils i \u00e8poques hist\u00f2riques. Com a figura \u00fanica entre els flautistes d’avui, Mario Caroli \u00e9s un dels escassos artistes capa\u00e7os de passar de la composici\u00f3 m\u00e9s cl\u00e0ssica a la pe\u00e7a contempor\u00e0nia m\u00e9s extrema, amb el mateix virtuosisme viu, personalitat vibrant i un rigor\u00f3s enfocament tant anal\u00edtic com est\u00e8tic.<\/p>\n
Els cr\u00edtics no van dubtar a qualificar-lo com a \u201cfenomen\u201d per les seves refrescants interpretacions de Bach, Schubert o Debussy i el \u201cNew York Times\u201d va escriure que \u201ct\u00e9 un so que vols beure\u201d. Mario Caroli ha aparegut com a solista convidat amb moltes orquestres prestigioses, com la Philharmonia Orchestra a Londres, l\u2019Orchestre Philharmonique de R\u00e0dio France a Par\u00eds, la T\u00f2quio Philharmonic, la T\u00f2quio Metropolitan i la T\u00f2quio Sinfonietta a T\u00f2quio, la SWR i WDR Radiosinfonieorchester de Stuttgart i Col\u00f2nia, l\u2019Orquestra Nacional de Brussel\u00b7les, l\u2019Orquestra Nacional de la R\u00e0dio Italiana a Torino, l\u2019Orquestra Simf\u00f2nica de la R\u00e0dio Grega a Atenes, la Basilea Sinfonietta, l\u2019Orquestra Simf\u00f2nica d’Isl\u00e0ndia a Reykjavik, la Sofia Soloists, la Mozart Kammerphilharmonie, les Orquestres dels Teatres de l’\u00d2pera de Stutt Rouen, Bari, Cagliari, les Orquestres Filharm\u00f2niques d’Estrasburg, Ni\u00e7a, Montecarlo, Les Percussions de Strasbourg, l’Ensemble Contrechamps de Ginebra, el Neue Vocalsolisten Stuttgart, sota la direcci\u00f3, entre d’altres, de Pierre Boulez, Peter E\u00f6tv\u00f6s i Kazushi Ono.<\/p>\n
Present als festivals m\u00e9s grans del m\u00f3n, Mario Caroli ha actuat a la Berliner and K\u00f6lner Philharmonie, al Concertgebouw d’Amsterdam, al Royal Festival Hall de Londres, al Suntory Hall de T\u00f2quio, al Lincoln Center de Nova York, a l’Scala a Mil\u00e0, el Palais des Beaux Arts a Brussel\u00b7les, el Megaron a Atenes, l’Herkulessaal a M\u00fcnich, al Th\u00e9\u00e2tre du Ch\u00e2telet a Par\u00eds i a la Cit\u00e9 de la Musique a Estrasburg. Ha enregistrat m\u00e9s de 40 Cds, incloent-hi moltes estrenes mundials importants, aix\u00ed com els grans cl\u00e0ssics del repertori i ha impartit classes magistrals a tot el m\u00f3n. Com a artista cosmopolita i pol\u00edglota, Mario Caroli tamb\u00e9 \u00e9s un dels professors de flauta m\u00e9s demandats actualment. Despr\u00e9s d’ensenyar 17 anys a Fran\u00e7a, 5 anys a Su\u00efssa, Caroli viu a Estrasburg i \u00e9s professor de flauta a la Musikhochschule a Freiburg, on imparteix una classe internacional de flauta amb molt \u00e8xit.<\/span><\/p>\n Mario Caroli toca una flauta Miyazawa de plat\u00ed.<\/span><\/p>\n \u200b<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Flauta Professor a la Musikhochschule a Freiburg AIMS Acad\u00e8mia 2026 Del 15 al 24 d’agostMario Caroli va comen\u00e7ar la seva formaci\u00f3 musical als 14 anys i va obtenir el seu […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":4508,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-13480","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/13480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/comments?post=13480"}],"version-history":[{"count":12,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/13480\/revisions"}],"predecessor-version":[{"id":18119,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/13480\/revisions\/18119"}],"up":[{"embeddable":true,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/4508"}],"wp:attachment":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/media?parent=13480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}