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Un sentit infal\u00b7lible del present i una intensitat genu\u00efna caracteritzen la interpretaci\u00f3 de violoncel de Martina Schucan.<\/p>\n
A catorze anys, va ser acceptada a la classe magistral d\u2019Andr\u00e9 Navarra a la Universitat d\u2019Arts de Detmold, a Alemanya. Despr\u00e9s de completar el seu diploma d\u2019int\u00e8rpret, va continuar els seus estudis amb Heinrich Schiff i Janos Starker. El seu primer premi al Concurs Gaspar Cassad\u00f3 de Flor\u00e8ncia, juntament amb altres premis i guardons, va obrir-li cam\u00ed a l\u2019escena internacional.<\/p>\n
Martina Schucan ha actuat com a solista amb orquestres com la Bamberger Symphony Orchestra, la Tokyo Metropolitan Orchestra, l\u2019Orchestre de la Suisse Romande i la Zurich Tonhalle Orchestra, de la m\u00e0 de companys de Yuri Bashmet, Shlomo Mintz, Veronika Hagen, Heinz Holliger i el Quartet Carmina, entre d\u2019altres. Ha tocat en festivals internacionals com els de Lucerna, Schleswig-Holstein, \u201cWien modern\u201d, Witten, Montpellier, Bratislava i Pequ\u00edn, i participa en els festivals de m\u00fasica de cambra de Prussia Cove i Kuhmo.<\/p>\n
La m\u00fasica contempor\u00e0nia t\u00e9 un paper central en la seva carrera. Les seves interpretacions del concert d\u2019Henri Dutilleux, el \u2018Nomos Alpha\u2019 d\u2019Iannis Xenakis i la sonata per a violoncel sol de Bernd Alois Zimmermann s\u2019han convertit en fites aclamatades tant pels especialistes en m\u00fasica com pel gran p\u00fablic.<\/p>\n
Els moments destacats de la darrera temporada inclouen les interpretacions de la quarta suite de Bach pel centenari de Janos Starker a Se\u00fcl (Lotte Hall) i T\u00f2quio (Suntory Hall), aix\u00ed com un concert solista per a violoncel i electr\u00f2nica a la Universitat de Harvard a Boston.<\/p>\n
Martina Schucan \u00e9s professora a la Zurich University of the Arts i membre del Collegium Novum Z\u00fcrich.<\/p>\n
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