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\u00a9 Florian Kleinefenn<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_button button_url=”https:\/\/aims.cat\/aims-string-academy\/registration-payment\/” button_text=”Registration form” button_alignment=”left” _builder_version=”4.27.0″ custom_button=”on” button_text_size=”13″ button_text_color=”#000000″ button_bg_color=”#eeeeee” button_border_color=”#eeeeee” button_icon=”l||divi||400″ button_icon_placement=”left” button_on_hover=”off” button_text_size_last_edited=”off|desktop” button_text_color_hover=”#ffffff” button_border_color_hover=”#ea4951″ button_bg_color_hover=”#ea4951″ global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”on” button_text_color__hover=”#ffffff” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”on” button_border_color__hover=”#ea4951″ button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”on” button_bg_color__hover=”#ea4951″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”][\/et_pb_button][et_pb_text admin_label=”Highlights” module_class=”highlights” _builder_version=”4.27.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”Texto” _builder_version=”4.27.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n Genevi\u00e8ve Strosser \u00e9s una de les violistes m\u00e9s interessants i destacades de l\u2019actualitat.<\/p>\n Com a solista, actua amb orquestres com la Simf\u00f2nica de la R\u00e0dio de Baviera, el Gewandhaus de Leipzig, Ensemble Resonanz, NDR Elbphilharmonie, la Simf\u00f2nica de T\u00f2quio, La Verdi de Mil\u00e0, SWR, WDR, la Residentie Orkest de l\u2019Haia, l\u2019Orquestra del Festival de Budapest i l\u2019Orquestra Filharm\u00f2nica d\u2019Estrasburg, sota la direcci\u00f3 de Peter E\u00f6tv\u00f6s, Brad Lubman, Heinz Holliger, Bas Wiegers, Emilio Pomarico i Stefan Asbury.<\/p>\n \u00c9s convidada regularment a oferir recitals a Fran\u00e7a, It\u00e0lia, Alemanya, Pol\u00f2nia i Su\u00efssa.<\/p>\n Genevi\u00e8ve Strosser \u00e9s una fervent defensora de la m\u00fasica del nostre temps. Amb un gran eclecticisme en les seves opcions est\u00e8tiques, \u00e9s una de les violistes m\u00e9s reconegudes i sol\u00b7licitades en la interpretaci\u00f3 del repertori dels segles XX i XXI. Ha estrenat nombroses obres, col\u00b7laborant amb compositors com Helmut Lachenmann, Franco Donatoni, Heinz Holliger, Isabel Mundry, Alberto Posadas, Peter E\u00f6tv\u00f6s i George Benjamin.<\/p>\n Stefano Gervasoni, Hugues Dufourt i Laurent Cuniot li han dedicat cadascun un concert per a viola. Genevi\u00e8ve col\u00b7labora amb els principals conjunts europeus de m\u00fasica contempor\u00e0nia, participant en projectes dirigits per Pierre Boulez, Oliver Knussen, Sylvain Cambreling, Jonathan Nott i George Benjamin. Va ser membre d\u2019Ensemble Modern i Ensemble Recherche.<\/p>\n La seva manera de tocar ha inspirat especialment Georges Aperghis, que ha escrit per a ella diverses obres solistes i de cambra. Ha participat en tres de les seves peces de teatre musical: Commentaires<\/em>, Machinations<\/em> i Un Temps Bis<\/em>. Aquesta intensa col\u00b7laboraci\u00f3 amb Georges Aperghis l\u2019ha portat a desenvolupar una faceta m\u00e9s teatral, incorporant la veu i el moviment al seu repertori esc\u00e8nic.<\/p>\n Durant m\u00e9s d\u2019una d\u00e8cada, Genevi\u00e8ve Strosser va formar part de la Chamber Orchestra of Europe, treballant amb directors com Nikolaus Harnoncourt, Claudio Abbado, Carlo Maria Giulini i Sir Georg Solti, entre d\u2019altres. Actualment \u00e9s convidada regularment com a viola solista principal en orquestres com la Philharmonia Orchestra, BBC Wales, l\u2019Orchestre National de France, la Sinfonieorchester Basel i l\u2019Orquestra del Th\u00e9\u00e2tre de la Monnaie de Brussel\u00b7les.<\/p>\n Genevi\u00e8ve Strosser va ser membre del Vellinger String Quartet a Londres (amb Gordan Nikolitch, Philippe Honor\u00e9 i Sally Pendlebury).<\/p>\n El seu disc monogr\u00e0fic ha estat publicat pel segell Aeon, i altres enregistraments seus han aparegut als segells ECM, Kairos i Hungaroton Classic.<\/p>\n Paral\u00b7lelament a la seva activitat concert\u00edstica, Genevi\u00e8ve \u00e9s tamb\u00e9 una professora molt sol\u00b7licitada. Pedagoga compromesa, ha impartit classes al Trinity Laban Conservatoire of Music and Dance i va ser assistent de Jean Sulem al Conservatoire National Sup\u00e9rieur de Musique et de Danse de Par\u00eds.<\/p>\n Actualment \u00e9s professora de viola a la Musikhochschule de Basilea, a Su\u00efssa, i \u00e9s convidada regularment a impartir classes magistrals i tallers en destacats festivals, cursos de corda i conservatoris europeus.<\/p>\n Genevi\u00e8ve Strosser va n\u00e9ixer a Estrasburg. Va estudiar viola amb Claude Ducrocq i posteriorment amb Serge Collot i Jean Sulem al Conservatoire National Sup\u00e9rieur de Musique et de Danse de Par\u00eds, i va ampliar la seva formaci\u00f3 amb classes de Nobuko Imai, Yuri Bashmet, Bruno Giuranna i Gy\u00f6rgy Kurt\u00e1g.<\/p>\n Toca una viola constru\u00efda per Matthias Albani l\u2019any 1660.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a9 Florian KleinefennViola Professora de la Musikhochschule de Basilea Acad\u00e8mia AIMS 2026Del 5 al 15 d’agostGenevi\u00e8ve Strosser \u00e9s una de les violistes m\u00e9s interessants i destacades de l\u2019actualitat. Com a […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-18191","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/18191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/comments?post=18191"}],"version-history":[{"count":5,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/18191\/revisions"}],"predecessor-version":[{"id":18216,"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/pages\/18191\/revisions\/18216"}],"wp:attachment":[{"href":"https:\/\/aims.cat\/ca\/wp-json\/wp\/v2\/media?parent=18191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Viola<\/h3>\n
Professora de la Musikhochschule de Basilea<\/h3>\n
Acad\u00e8mia AIMS 2026
Del 5 al 15 d’agost<\/h3>\n